![]() The jam is me noodling on S&G’s cover of Anji by Davey Graham. The audio needs to be enhanced and it doesn’t fully do justice to the ToneWood sound. ![]() I recorded a quick demo with the Hall Reverb with Decay and Hi-cut set to default and no audio edits off the iPhone camera. If you want more control over ambience and soundscapes with minimal setup or complexity, this is it. It’s much more easy to optimize practice time now without switching guitars or hooking up effects racks to my Ibanez for a 10-minute session. You can tweak this plenty but I’d like to make sure I’m not sounding “wall of sound Spector-mode” on my Cordoba for every track.Īll in all, a great addition to enhance the acoustic and more than anything else, the convenience factor is amazing. I’ve largely played around with the Hall and Room effects for my purpos. There is also the ability to save effect settings based on the tweaks you make which seems useful though I’ve not really played around with it. Notch Filters to Notch Low and Notch High to filter based on the frequency.Overdrive with Drive, Filter and Reverb.Auto-Wah with Sensitivity, Envelope, Reverb.Leslie style tremolo with rate, depth and reverb.( Note: you are not going to sound like the The Edge on the Skrydstrup switching system anytime soon with this) Delay with Speed, Feedback and Reverb.Plate Reverb with Decay, Pre-delay and Hi-cut settings.Room Reverb with Decay, Pre-delay and Hi-cut settings.These settings are accessed by pressing on the knobs on the ToneWood Hall Reverb with Decay, Pre-delay and Hi-cut settings.All the effects come with Gain and Volume settings. The display screen and knobs are intuitive and the barrier to entry here is phenomenally low.įrom an effects perspective, it’s really everything you need considering you are playing an acoustic guitar. This took some adjusting and I’m not sure i’ve dialed in the optimal most optimal position but it’s close enough.Once you stick the batteries in, it’s showtime. It required me to slacken the strings, place a X-brace unit inside the guitar pointing the magnets so that the ToneWood amp could attach itself to the outside back of the guitar using the suction provided. The installation took me about 10 minutes. The processor takes in 3 AA batteries for an average of 8 hours. It also has the 1/4″ standard guitar input and a 1/8″ TRRS I/O for iDevice. All that’s required is some type of pickup installed in the guitar to provide signal to the device. You can connect the ToneWood to an external Amp/PA via the 1/4″ output port and it is iDevice interface that is great if you are on the Mac ecosystem. The natural sound of the unamplified guitar coming from the soundboard seamlessly blends with the effects radiating outward via the sound hole, creating a larger than life soundscape.
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